Materialisms Reading Group

MATERIALISMS READING GROUP

16. Thursday 23 July 2015, we will be discussing McKenzie Wark’s 'Molecular Red: Theory for the Anthropocene' which will be introduced by Paul Rekret (Richmond University). For those interested, here is Zizek's short review of the book: http://www.versobooks.com/blogs/2007-ecology-against-mother-nature-slavoj-zizek-on-molecular-red  and Wark's reply: http://www.publicseminar.org/2015/06/zizek3/#.VXLTrzY4nTa

17. Thursday 10 September 2015 - Miriam Tedeschi (University IUAV, Venice) will be introducing Gilles Deleuze's 'Spinoza: Practical Philosophy'

18. Thursday 8 October 2015 - Elisabetta Brighi (University of Westminster) will be introducing Deborah Cowen's 'The Deadly Life of Logistics: Mapping Violence in Global Trade'

19. Thursday 5 November 2015 - Graham Jones will be introducing John Protevi's 'Political Affect: Connecting the Social and the Somatic'

20. Thursday 3 December 2015 - Nick Srnicek will be introducing Graham Harman's 'Bruno Latour: Reassembling the Political'

Meetings are open to all and take place Thursdays 6.30-8.00pm, Westminster Forum, Department of Politics and International Relations, 5th Floor, 32-38 Wells Street, London, W1T 3UW (5 minutes from Oxford Circus tube).

Wine and nibbles will be provided, sponsored by the Centre for the Study of Democracy, University of Westminster and the Centre for Media & Culture Research, London South Bank University.

Suggestions for meetings after Xmas that we have on the table:

Michiel van Ingen (University of Westminster) introducing Kate Soper's 'What is Nature: Culture, Politics and the Non-Human'

Philip Cunliffe (University of Kent) introducing Alexander Wendt’s 'Quantum Mind and Social Science: Unifying Physical and Social Ontology'

David Chandler (University of Westminster) introducing Louise Amoore's 'The Politics of Possibility: Risk and Security beyond Probability' 

If you wish to be added to the Materialisms Reading Group mailing list please contact me at d.chandler@wmin.ac.uk

Best wishes,
David

David Chandler, Professor of International Relations, Director of the Centre for the Study of Democracy, Department of Politics and International Relations, University of Westminster, 32-38 Wells Street, London, W1T 3UW. Tel: ++44 (0)776 525 3073.
Journal Editor, Resilience: International Policies, Practices and Discourses: http://www.tandfonline.com/loi/resi20

Amazon books page: http://www.amazon.co.uk/David-Chandler/e/B001HCXV7Y/ref=ntt_dp_epwbk_0  

Personal website: http://www.davidchandler.org/
Twitter: @DavidCh27992090

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‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski 

Volumizer: http://glennrikowski.blogspot.com

All that is Solid for Glenn Rikowski: http://rikowski.wordpress.com

Research Bites

REALISM BITES

Eighth Biannual Graduate Student Conference of the German Program

Department of German and Romance Languages and Literature at the Johns Hopkins University

Realism Bites: Disruptive Realisms in Modernity

Keynote speakers:

Prof. Elisabeth Strowick, Johns Hopkins University

Prof. Timothy Brennan, University of Minnesota

November 6- 7, 2015
The Johns Hopkins University

All the fissures and rents which are inherent in the historical situation must be drawn into the form-giving process and cannot nor should be disguised by compositional means.

(György Lukács, The Theory of the Novel)

The term realism has been associated with multiple artistic practices, styles and movements from nineteenth-century bourgeois realism to socialist realism, surrealism, Italian neorealism, magical realism, and postmodern hyperrealism. Its repetitions and invocations express a commitment to and a struggle for reality, rearticulating the political, social and epistemological functions and meanings of art. As a form of "Darstellung der Wirklichkeit," it carries the tension of a set of oppositions: the reality that is and the reality that ought to be; an objective and verisimilar reproduction and a poetic constitution of reality; a conventional mode and personal expression of reality.

György Lukács emphasized the necessity for a “critical realism,” one that is determined by a critical perception and mediation of social contradictions, rather than their naïve reproduction. The notion of unity, so important for the Lukácsian concept of ‘critical realism,’ refers not only to the realist novel’s capacity to reveal the totality of social relations, but also to its depiction of the individual’s striving to reach totality as a mode of being. Even though, Lukács considered the novel as the primary form for the critical depiction of the modern conditio humana, the question can be raised whether “critical realism” functions more as an epistemo-critical concept than as a rigid genre definition. Since Lukács, many scholars and artists have called into question his notion of totality and human agency, and contested h is definition of art as a representational medium that reveals a social totality. Should we, as Fredric Jameson has suggested, hold on to a concept of totality, when discussing current “problems of realism?” How do the various forms of realism relate to what Lukács - justifiably or not – has identified as the pseudo-objectivity of Naturalism, on the one hand, and extreme subjectivism, on the other? Can one actualize critical realisms for a critique of representation? And in what way do contemporary reassessments and actualizations of realisms repeat or reverse traditional dichotomies, such as those between idealism and realism, nominalism and realism, realism and modernism?

This call for paper invites submissions from a wide variety of disciplines that discuss competing aesthetic strategies. Presentations should not exceed 20 minutes.

Please submit abstracts (300-500 words) with your name and affiliation to Esther Edelmann and Christiane Ketteler at realismbitesgermangrads@gmail.com by August 13, 2015.

Topics may include, but are not limited to:

·         * Realism repeated: Realism after Modernism

·         * Avant-garde "realities"

·         * Antinomies and instabilities within classical realisms

·         * The reception of realisms and its historical conditions

·         * Realisms, political movements and alliances

·         * Speculative Realism and the constitution and emergence of objects

·         * Excessive Realism or new possibilities of perceptions of objects

·         * Productive realisms or the emergence of new orders

·         * Realisms (false) friends: Reportage, Travelogue, and Documentary

·         * The Real and the Reality Principle

·         * Capitalist Realism and the limits and problems in representing global capitalism and its alternatives

·         * Theories and Projects of Mapping

·        *  Hyperrealism and the Desert of the Real / The Spectacle of Reality

·         * Abject Realisms and the abjected within Realism

·         * Realism and the Dissolutions of boundaries between the arts

·         * Realism, Nominalism, Idealism, (New) Materialism

·         * Realism, Romanticism, Symbolism

·         Post/Colonial Realisms

·         * Feminist Realism

·         * Realism and the Problem of Exemplarity

·        *  “Wirklichkeit als das Wirkende”

First Published in http://www.historicalmaterialism.org/news/distributed/cfp-german-graduate-conference-realism-bites-nov-6-7-2015-jhu-baltimore

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‘Human Herbs’ – a song by Cold Hands & Quarter Moon: http://www.youtube.com/watch?v=Au-vyMtfDAs

Posted here by Glenn Rikowski

Glenn Rikowski @ Academia: http://independent.academia.edu/GlennRikowski 

Volumizer: http://glennrikowski.blogspot.com

All that is Solid for Glenn Rikowski: http://rikowski.wordpress.com